Tag Archives: 21 Jump Street

Top 10 Films of 2012

Ah, it’s that time again where we count down the films that truly blew me away that were released during 2012. Now before I count down these movies, I must mention that I didn’t see every film that was released this year. As I live in Australia, really amazing films still haven’t been released this year, including Life of Pi and Django Unchained. Also, this is MY pick. It’s my opinion. If your list is not the same as mine, just remember that it doesn’t fucking matter. That’s your opinion, and that’s perfectly fine. So please, don’t throw a hissy fit in the comments if you find out that The Avengers didn’t end up on this list… Yep, that’s right. The Avengers was disappointing to me. Just learn to accept it.

Now with that out of the way, let’s get started on this list with number 10.


The Perks of Being a Wallflower

The Perks of Being a Wallflower (2012)

The Perks of Being a Wallflower was a sensational drama, and one that I connected with from the get-go. Audiences who’ve experienced bullying and rejection or any kind of terrible experience during high school should be able to relate to this film. As a victim of bullying in high school, I could absolutely relate and understand the characters depicted in the film, and the performances were all top notch. Logan Lerman was sensational, and Ezra Miller stole every one of his scenes. Emma Watson also delivered a heart-breaking performance. This is a definite must see.



Chronicle (2012)

Chronicle is probably the best found-footage film I’ve seen since Cloverfield. It’s a completely fresh take on the genre, and what’s great is it’s not a horror film. This is a film about superpowers, and like The Perks of Being a Wallflower, deals with the hardship teenagers face including bullying and abuse. The camera itself becomes a plot device, which I absolutely love – it gives the character a reason to be constantly recording. The acting is great, and the climax… simply amazing.



Lawless (2012)

Lawless is a brilliantly made period film. While most audiences will expect a big action film with a lot of shootouts, you really don’t get that. Still, that doesn’t make it any less thrilling to watch. Performances are all superb, particularly those of Tom Hardy and Guy Pearce, and the film is shot beautifully as well. It looks gorgeous. Chris Kennedy’s production design must also be mentioned as it truly takes you back to the time. This is a film you have to check out, particularly if you’re a history buff.



Argo (2012)

Argo is proof that Ben Affleck is one of Hollywood’s best directors working today. I mean, seriously, all his first three movies have been critically acclaimed. I’ve loved every film he’s made so far, including this of course. Affleck’s direction is great, and he knows how to get good performances from his actors. With a supporting cast including Bryan Cranston and John Goodman, there’s so much talent on screen. The final sequence of the film is absolutely nail-biting, and it shows you get tension and excitement in a film without using any guns or explosions.


End of Watch

End of Watch (2012)

End of Watch is a superb buddy cop movie. I’m a huge sucker for these films, and End of Watch presented a truly authentic and gritty to the genre. While there is a lot of humour that’s key to the buddy cop genre, the film is mainly more focused on the relationship between its central characters and the everyday dangers cops face. It’s essentially a look into the lives of those who protect our streets, with a touch of found footage. This aspect of the film is mainly used as a plot device, and while it doesn’t add a great deal to the film, it’s used well nonetheless. The two leads both share an amazing amount of chemistry, and the climax of the film is thrilling to watch.



Prometheus (2012)

This is a film with A LOT of haters. I personally loved the hell out of Prometheus when I saw it at IMAX. While the 3D was admittedly ordinary, the film was a brilliantly dark and mature sci-fi epic. It’s refreshing to finally see a more adult sci-fi film. This has shades of horror that truly resonate throughout the film, and there are truly memorable moments that must be seen. The special effects are superb, and the film is shot beautifully by one of my personal favourite cinematographers Dariusz Wolski. Ridley Scott is truly at home with the sci-fi genre, and he knows what he’s doing when working with this genre. Sure, there are plenty of unanswered questions that you can nitpick about, but there’s no denying this is a stunning film. Bring on a sequel, please.


21 Jump Street

21 Jump Street (2012)

Everyone who knows me well will tell you that I LOVED the hell out of this film, as I constantly kept talking about it and reciting quotes from it. Yes, I loved 21 Jump Street. As an aspiring filmmaker, this is a prime example of the films that I’d love to make one day. Like I said earlier, I’m a sucker for buddy cop films. 21 Jump Street is a less serious take on the work of cops compared to End of Watch, but it doesn’t try to be gritty in any way. This is simply a good time at  the cinema, and the humour is gut-bustingly hilarious. Michael Bacall is shaping up to be one of my favourite screenwriters working in Hollywood, and Jonah Hill and Channing Tatum work tremendously well together. I can’t imagine anyone not liking this – it’s definitely one of my favourite comedies of all time.



Skyfall (2012)

Skyfall is one of the best Bond films ever made. While it may not be as good as Casino Royale, it came pretty close. Sam Mendes shows that he was a perfect choice for the film, as he clearly knows what he’s doing with the character – something that was terribly missed with the last Bond film, Quantum of Solace. Craig proves again he is without a doubt the best James Bond in years, and Javier Bardem is a truly sinister villain. Shot gorgeously by Roger Deakins, Skyfall is one of the most visually impressive films of 2012, and every action sequence is nothing short of amazing.


The Hobbit: An Unexpected Journey

The Hobbit: An Unexpected Journey (2012)

The first installment of Peter Jackson’s The Hobbit trilogy is a ridiculously enjoyable fantasy adventure film. As a fanboy of the original The Lord of the Rings trilogy, An Unexpected Journey was a godsend – it’s truly pleasing that Jackson was chosen to helm this after Guillermo del Toro left the project in 2010. While it may not be as good as LOTR, it’s still a brilliant fantasy film. In all honesty, it would be silly to expect this to be on the same level as LOTR – that trilogy was dark and gritty, while The Hobbit is essentially completely different in tone. It’s mainly aimed at families much like the book was. There are moments in the film where I teared up, and the visuals are still sensational. Even if you haven’t seen any of the LOTR films, An Unexpected Journey is worth your money.


The Dark Knight Rises

The Dark Knight Rises (2012)

You probably could’ve predicted this would be the winner. The Dark Knight Rises is definitely, in my opinion, the best film of the year. Christopher Nolan’s conclusion to his trilogy is a brilliant way to end the franchise. Though many say that The Dark Knight Rises is in no way better than its predecessor, I disagree, and I do think that this is the best of Nolan’s trilogy. Shot on IMAX cameras, the film is best experienced in an IMAX theater, and the action sequences do look extraordinary in that format. Hans Zimmer’s score is sensational, and all the performances are great. A personal favourite of mine was Anne Hathway as Selina Kyle, who was both ridiculously hot and badass in the role. The Dark Knight Rises is definitely a fanboy’s godsend. I personally believe this is the comic book movie of the year. While many believe The Avengers tops this, I have to disagree. The Avengers didn’t have the same effect on me that The Dark Knight Rises did. I even cried in it – it’s got emotion behind it, something I thought was sorely missing in The Avengers. But, that’s my own opinion. If you disagree with my list, please don’t throw a fit and rage in comments section. Go ahead and make your own list. On this list, The Dark Knight Rises is the film of 2012.

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Yes, it’s true. Channing Tatum can act.

https://i0.wp.com/i2.listal.com/image/3038690/200full.jpg“You are here because you some Justin Beaver, Molly Cyrus lookin’ motherfuckers.”

When the first trailer for 21 Jump Street hit the web, I thought it looked like garbage. My first impression of it was that it was a cliché high school comedy with Channing Tatum. After seeing it due to positive buzz, I can admit that I was an idiot. I loved the hell out of this film. Directed by Phil Lord and Chris Miller, who previously made the animated masterpiece Cloudy with a Chance of Meatballs, and written by Michael Bacall, who co-wrote Scott Pilgrim vs. the World, 21 Jump Street was in the hands of true geniuses. I must say, I should’ve had faith in this film. Having never seen the original TV show, which I’ve heard is a lot darker than this reboot, I didn’t know what to expect. Shockingly enough, this ended up being an action-comedy, and an excellent one thrown in for good measure.

In 2005, Schmidt (Jonah Hill) and Jenko (Channing Tatum) were high school students; Schmidt was clever academically but un-sporty and a miss with the girls, while Jenko was the opposite. Neither of them got to attend the school formal. Seven years later they’re rookie cops, so inept they can’t remember the caution they are supposed to give suspects when they arrest them. They’re assigned to an undercover unit run by sardonic Captain Dickson (Ice Cube), which is located in the Aroma of Christ Church at 21 Jump Street. Their first assignment is to be sent undercover to a high school to discover who’s supplying a dangerous new form of drug.

Jonah Hill and writer Michael Bacall came up with the story, and it’s a total far cry from the original TV show. At first, it may be hard to believe that a jock like Jenko could be best friends with a nerd like Schmidt. Well, the back-story is briskly explained to us in the film’s opening – Schmidt and Jenko initially hated each other in high school, but met yet again when they both enrolled into the police academy. They became friends as they started to help each other with the academic and physical side of the academy. This could’ve easily been a very shallow and superficial relationship, but Bacall takes time to establish that this friendship the two characters share is real and sincere. There’s a very sweet side to it, and it definitely adds an emotional side to 21 Jump Street, which is, for most of the time, a film that you can’t really take seriously.

Speaking of this, the humour is extremely self-aware to the point where you can’t really take a lot of the film seriously. There are laughs at every minute – this is a how a comedy should be. Bacall definitely adds that self aware humour that was so present in Scott Pilgrim vs. the World to this. The film is pretty much a parody of buddy cop films like Bad Boys and Lethal Weapon, and makes fun of elements we see in these kinds of movies (for example, explosions). The film also made fun of itself several times. The satirical humour worked so well for me – there’s a moment where the film literally jokes about how it’s a remake of an old TV show. You gotta love a film that cracks a joke about itself. There’s so much satire here that I haven’t even begun naming half the things 21 Jump Street makes fun of. The change in era, the fact that Schmidt and Jenko look so out of place in the high school – there’s so much here that’s gonna make you laugh hysterically.

As Schmidt, Jonah Hill delivers the goods, and proves he can still be funny even when he’s not fat. Hill is a lot more fit now having lost a lot of weight. He previous played the fat obnoxious guy in films like Superbad, but he definitely brings a new side to him 21 Jump Street. He’s a lot more nerdy and respectable. Also impressing me was Channing Tatum. I was shocked at how convincing his acting was. Normally, he’s wooden, but he brought a good sense of joy to his role. His performance as both convincing and humourous, and he worked so well with Hill. Ice Cube brings his A-game after recovering from the dismal films, Are We There Yet? and Are We Done Yet?. I’m glad to see him in a role his comfortable in. Brie Larson is sweet and likeable as Schmidt’s love interest Molly, while James Franco’s brother, Dave Franco, fails to impress as a student involved with the drug dealing. There are also small cameos from some big movie stars, but I’m not supposed to mention it.

Lord and Miller know how to do comedy well. After Cloudy with a Chance of Meatballs, they tackle the high school comedy, and they add that same style that made Meatballs such a success. There direction is perfect, adding a retro and goofy vibe to the film, ranging from the editing and visual effects, to the pop culture references. The film also features a few badass action sequences – it is still a cop movie after. There are two car chases, which still have a great deal of humour thrown into the mix. With the addition of an R rating, there are a few gory and quite amusing shootouts, and the film’s climax is simply to die for.

I love this film. I simply LOVE it. As an aspiring filmmaker, these are kinds of films I love to make. I just can’t get enough of self-awareness. The goofiness, the hilarious action sequences, and the satire – this film is a total must see. It’s one of the best films of 2012 so far (I’d even say it’s better than The Avengers, and for any fans of comedy, this is worth the price of admission. I will definitely be picking this up on Blu-Ray. It’s that good.


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